Showing posts with label Rich McCulley. Show all posts
Showing posts with label Rich McCulley. Show all posts

Friday, July 26, 2019

Late July roundup.

Todd Herfindal-Two Track Mind. It's been a long wait but ex-Meadows frontman Todd Herfindal is back with a new album, his first since 2013's Right Here Now. As always Herfindal is ably assisted by longtime collaborator Rich McCulley, who plays on and co-wrote several of the tracks here, and Two Track Mind is another collection of his roots-infused power pop. Opener "Bright White Light" has a "Wanted Dead or Alive" vibe to it, and "Muddy Water" is a stomping rocker while "Lucky One" has the signature Tom Petty-influenced sound of The Meadows. Other standouts include the midtempo "Bound for the Sun" and the straight-up power pop of "Sweet and Low (Get That)". A welcome return.

iTunes



Scott Gagner-Hummingbird Heart. Hummingbird Heart is the latest from Scott Gagner and a fine followup to 2017's Pins & Needles. Gagner remains one of today's more thoughtful singer-songwriters and this latest collection is another example. His songs range from folk/rock to power pop and once again the legendary (and indefatigable, judging by how many records he shows up on) Ken Stringfellow of The Posies collaborates. Leadoff track and lead single "Bella" definitely leans to the power pop side of the equation and it wouldn't be out of place on a Posies album while "Baby Gets What Baby Wants" is another catchy number complete with handclaps. "Other People" is a real highlight, a wonderful folk/rock song which gradually builds to a peak, complete with piano and a late guitar solo, the title track is a languid beauty with sweet backing vocals from Omega Rae, and the roots rock of "You Can't Break a Broken Heart" belongs on a late-70s playlist somewhere. And that's just the first half of this 13-track album, which should place highly on my year-end list.

iTunes



Farrington-Pictures of Pretty Things. LA's Farrington is one of the more exciting new artists to come across my radar this year and their debut album is a love letter to glam 70s rock/pop (and mastered by Andy Reed). After a couple of throat-clearing rockers to start the album the fun begins with tracks influenced by Elton John ("Stones"), Queen ("When I Was You", "The Love Show"), Jeff Lynne/ELO ("Hey Mr. Rock'N'Roll"), Jellyfish ("Stupid Plastic War", "Maybe if You Leave Her", "Blue"), and even some Ken Sharp ("Long Way to Nowhere", "Violins"). If you're looking for a new favorite band, you can do a lot worse than Farrington.

iTunes



Friday, November 01, 2013

Friday Roundup.

Greg Pope-Pop Motion Animation. It's always a good day when Greg Pope releases an album, as his body of work as both a solo artist and as frontman of Edmund's Crown is some of the very best power pop of the last decade. And while the adage "brevity is the soul of wit" is true, brevity is also the soul of power pop, and Pope never outstays his welcome as the 11 tracks here clock in around 28 minutes and leave you wanting more. The opener "Partner in Crime" might be his best opening track since Popmonster's "Sky Burn Down" with its staccato guitar riffs and crunchy melody, while "More Like You" is 1:44 of breezy guitar pop. Meanwhile, "The Mattress" is a southern-styled power pop stomp that's right out of Terry Anderson's playbook with its imagery of losing a mattress off a truck, "Don't Wait" is an acoustic guitar-propelled mid-tempo gem, and "Cloud and Thunder" is a gentle, lovely near-ballad that shows Pope can pull off the slow numbers as well as the rockers. And one could almost view the Police-influenced "Meanwhile Back at the Office" as a sequel or allusion to his last Edmund's Crown record, Regrets of a Company Man. All in all, The Pope of Power Pop has delivered again.

CD Baby | iTunes



Brendan O'Neill-Outside Worlds. Singer-songwriter Brendan O'Neill debuts with a promising 4-track EP which features the guitar work of site favorite Rich McCulley. Like McCulley, O'Neill specializes in smooth-sounding roots pop/rock, and the four songs here leave you wanting more. "Orchard Girl" sounds like a long-lost hit single from the 90s with its slow buildup and powerful chorus, all augmented by McCulley's slide guitar. "Tic Tac Toe" is a soulful number that makes great use of O'Neill's vocals, while "White Picket Fences" is a Wilco-like mid-tempo gem. The reflective "Workin'" closes the EP in fine fashion, and the best part of all this is O'Neill is offering up the EP as a free download at the CD Baby link below.

CD Baby | iTunes

Friday, March 22, 2013

Friday Roundup.

Rich McCulley-The Grand Design. LA-based Roots rockin' power popper Rich McCulley is back with The Grand Design, his sixth solo album, and the man proves he has a knack for topping himself each time out. Ironically it was only a few weeks ago I reviewed a couple of new singles from McCulley's running mate Todd Herfindal, and the leadoff track on this album is "Right Here Now", co-written by Herfindal and the B-side to Herfindal's "Shine Shine" single, giving us two versions of an excellent track. "The Most Beautiful Thing" is another standout (co-written by Will Kimbrough and Herfindal), which could pass for a lost Wilburys track with its Jeff Lynne-style backing vocals and slide guitar, and the title track has an anthemic feel that's insipirational and takes on greater resonance considering the personal losses McCulley suffered prior to his last album, Starting All Over Again. Elsewhere, "Troubles Behind" and "The Gift" are pleasing roots rock, and "She's Like a Tattoo" is a classic country drinking song with pedal steel. There isn't a duff track to be found here, and McCulley has himself a 2013 top 10 contender on his hands.

CD Baby | iTunes

Full album stream at official site



Radio Days-Get Some Action. Italy's Radio Days return with their third album, and Dario Persi & Co. serve up another helping of classic power pop in the vein of the Paul Collins Beat, The Rubinoos and The Knack. Opener "Burning Together" is an infectious power pop tune that seems melodically inspired by Bryan Ferry's "Let's Stick Together", while "Girl Girl Girl" captures the early-mid Beatles sound. The songs keep coming at you in 2-3 minute bursts, and it's easily their best and most consistent release to date. Whether it's the "yeah yeah yeah"s of the title track, the raved-up "I'll Be Your Man" or the swelling chorus of "Goodbye My Love", Radio Days have made the retro/60's power pop album of the year so far.

CD Baby | iTunes


Wednesday, March 10, 2010

CD of the Day, 3/10/10: Rich McCulley-Starting All Over Again


LA's Rich McCulley has been one of the more reliable roots rockin' power poppers over the last decade or so, and he's reached a career pinnacle with Starting All Over Again, a disc whose title derives from the personal losses McCulley has sustained after former girlfriend Amy Farris and close friend/co-writer Duane Jarvis (both of whom were artists in their own right) passed away last year.

McCulley has closely worked with Todd Herfindal and The Meadows as well as being a founder of the Oasis-influence side project The Mains, and his pop sensibilities shine through in his roots rock. Opening track "Tell Me, I'm Listening" (co-written with Herfindal) is Exhibit A for this thesis, a highly melodic track that Meadows and McCulley fans will both love. "Dreams Tonight" is an excellent "Take It Easy"-style number, and "The Last Song" boasts an infectious melody as well, although here's hoping McCulley doesn't follow through on his promises in the lyrics.

Elsewhere, standouts include "Who'll Hang the Moon?", his soulful tribute to Jarvis, the rockin' "Nowhere", the John Hiatt-esque "Waiting on the Sun", and the lively "Falling Apart". Roots-pop/rock albums don't get much better than this one, and McCulley has outdone himself here.

CD Baby | MySpace | iTunes

Starting All Over Again