Thursday Roundup.

Michael Harrell-Jericho Blues. After releasing one of 2007's best EPs, Greetings from the Village, Nashville's Michael Harrell is back with Jericho Blues, his debut full-length. The album picks up where the EP left off, with 10 tracks of what might be called the "Nashville power pop sound". "Give Me a Beat" channels Greg Pope and Edmund's Crown, while "Paint by Numbers" is Superdrag-esque. Other highlights include the Beatle-y "Action, Reaction, Dissatisfaction", the rocking "Katherine", and the lovely country-tinged "Tennessee Valentine". Harrell is a real talent, and Jericho Blues is definitely year-end-list material.

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Mathew Street-Plastic Wings. Mathew Street - the road - is legendary in the music world, being the address for Liverpool's Cavern Club, where some guys in the early 1960s were well known for playing when they started out. Mathew Street - the Montreal pop/rocker - is less known but does his namesake street proud with his debut EP Plastic Wings, a collection of four quality Britpop-styled tunes. "Fine Glasses of Wine and Champagne" is one of those grab-your-attention-right-away pop tunes that reminds me some of The Feeling and Kit Ashton, "Because" and "Behind the Glass" are top-drawer power ballads, and the rollicking "Magic Mint" reminds me of Fastball. Now that he's distinguished himself from the famous road, just don't confuse him with Matthew Sweet.

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Jeremy Nail & The Incidents-EP. Another artist from 2007 back with new music is Jeremy Nail, whose Letter was a favorite that year. Unlike Michael Harrell above, who went from EP to CD, Nail has gone from a full-length to an EP, and at only three songs I'd call more of a CD single. But they are three really good tunes, in the same Ryan Adams/Paul Westerberg-hybrid style of the full-length. Have a listen below.

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CD of the Day, 12/5/07: Jeremy Nail-Letter

Back in 2001, I was a huge Ryan Adams fan. He was coming off the previous year's Heartbreaker, a classic disc, and the follow-up Gold was #2 in my year-end list while Whiskeytown's delayed-release swan song, Pneumonia, was right behind at #3. (My #1 was this.)
But I soon became disenchanted with Adams for much the same reason I stopped collecting baseball cards in the early 90s: there were just too many releases to keep track of, the quality went down, and everyone was jumping on the bandwagon. But somewhere in the plethora of unreleased and bootlegged studio discs that accompanied the plethora of official releases was a rock album he cut with his then-backing band The Pinkhearts. That album found him channeling Paul Westerberg circa The 'Mats, and had some quality tracks like "Win" and "Candy Doll" and hinted at a potential path he could have taken.

Which brings us to Jeremy Nail, who with his debut disc Letter may have finally delivered the Adams-Westerberg hybrid disc we've (I've) been waiting for. Reminscent of Adams, he's sometimes billed solo and sometimes with his backing band (The Incidents), and like both of them at their best, he combines rock, pop and Americana with quality songcraft. The driving opener "Paper Doll" is Exhibit A for this premise with its haunting melody and quality guitar work. Elsewhere, "Last Goodbye" conjures some of Adams' best work from Pneumonia-era Whiskeytown with a great midtempo roots melody and female harmonies; "Lucky Girl" is playful pop, something that might sound like Jellyfish if Sturmer et al were more obsessed with Bruce Springsteen and Steve Earle rather than The Beatles and Queen; "Beautiful Storm" brings anthemic BritPop into Nail's roots mix; "Wake Up, Julianne" brings to mind the late period 'Mats of All Shook Down; and "Afterdark" adds a little Neil Finn. And as I'm wont to close my reviews with a bad pun, let me just say that he really Nailed this one.

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