Tach.Dé - Live @ La Respuesta

Live performance by Puerto Rican post-rock band "Tach.Dé".

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King Crimson - Islands

A sadly overlooked KC that's one of my personal faves. In this one Boz Burrell plays bass (taught by Fripp) and sings, and with Pete Sinfield's lyrics at their most baroque. Free jazzers Keith Tippett, Harry Miller and Mark Charig all contribute. A little gem.

The Letter

Goblin - Suspiria

Speaking of Dario Argento, here's the soundtrack to his film Suspiria by the Italian prog band Goblin.

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King Crimson - Red (1974)

Is this another King Crimson masterpiece?! You bet your motherfucking sack it is mah boi!

This is a true masterpiece and one of King Crimson's best. Without a doubt, "Starless" might be one of my favorite songs ever. Here's some great info on this masterpiece.

(Review from progreviews.com, vintageprog.com, wikipedia)

With David Cross' exit from the band, King Crimson forged ahead as a trio, and produced this, the last album Crimson would make in the 70s. Red is often cited as the strongest of the three Larks'-era albums, and sometimes of King Crimson's entire discography. Generally, here the band is consistently heavier in force and tighter in focus than ever before, with the departure of any remaining possibility for the violin line of abandon from Cross.

The first side is a juggernaut of solid musicianship and probably represents the most accessible and distilled album side for this era of the band. The title-track opens the album, and is as typical for this version of Crimson as it can get, consisting of a simple but yet powerful and heavy riff that carries the track all the way through. "Fallen Angel" is a strong vocal-track with the mellotron mixed very far back in the sound on the verse, while the chorus is a far heavier and more electric thing. "One More Red Nightmare" is another prime example of how Fripp could use a very simple riff to create a really powerful and enjoyable progressive rock track.

The masterpiece of Red, however, is doubtlessly the album's closer "Starless". It's hard to find a more emotional, down-to-earth moment in Crimson's repertoire than Wetton's weary voice clutching for a ray of hope as it enters past the melancholic, mellotron-drenched opening: "Sundown, dazzling day..." The thunderous climax (in 13/8) and sweepingly powerful ending of the song closes the chapter on 70s Crimson like an unstoppable (and unforgettable) deluge.

Robert Fripp, increasingly disillusioned with the music business, was turning his attention to the writings of the mystic George Gurdjieff, and did not want to tour as he felt that the "world was coming to an end". The Red line-up never toured, and two months before the album's release Fripp announced that King Crimson had "ceased to exist" and was "completely over for ever and ever" and the group officially disbanded on late September 1974.

Red

Kevin Ayers - Bananamour

For Howard. More beautiful songs from Mr. Ayers. "Oh! Wot a Dream" is dedicated to Syd Barrett, a kindred spirit.

Wot

Kevin Ayers - whatevershebringswesing

For Howard. My favorite Ayers.

"Melancholic and reflective, Kevin Ayers' third solo effort, Whatevershebringswesing (this time sans the Whole World as a collective), finds the ultimate underachiever languishing in a realm of ballads, free (for the most part) from the façade and pretensions of prog rock that plagued the previous project. Released in January 1972, Whatevershebringswesing was Ayers' most commercially accessible album to date. The opening track, the "There Is Loving" suite, was both apropos and deceptive. The song picks up nicely from the previous album, linked by its Soft Machine/prog rock sound and fronting the lyrics from the single "Butterfly Dance"; however, for the very same reason, this was a deceptive opener for an album that was far removed from the prog subgenre.In the interim between Shooting at the Moon and Whatever, Ayers gigged with his friend Daevid Allen's band, Gong, on a European tour, the results of which can be heard on the phenomenal Peel session recording Pre-Modern Wireless. Afterward, Ayers plucked saxophonist Didier Malherbe out of Gong momentarily to supplement the sound on his next album. The perfect substitute for Lol Coxhill, Malherbe and flute are a standout on the opener, "There Is Loving," with moving orchestral arrangements by Dave Bedford on the "Among Us" midsection. Initially released as a single, the album's highlight and concert staple, "Stranger in Blue Suede Shoes," is classic Ayers. While many outstanding guitarists have ripped up this grooving, occasionally aggressive blues/pop riff, Ayers himself laid down the guitar and piano tracks on this maiden recording. In line with Ayers' most appealing, successful compositions, "Stranger" and the majority of cuts on Whatever are uncomplicated and frank, allowing the listener to immediately step inside. Ayers' tunes may be light and semisweet, but he doesn't beat around the bush. "Oh My" and "Champagne Cowboy Blues" are exquisite examples of Ayers' ability to immediately pull in the listener via his lighthearted, slightly skewed approach. "Champagne" features the signature Mike Oldfield sound/style that would soon sell millions of records for him as a solo artist. Noteworthy are "Song From the Bottom of a Well" and "Lullaby." Intoned with darkness and foreboding, "Well" harks back to Soft Machine's "Why Are We Sleeping?" and foreshadows Ayers' Dr. Dream album, particularly "It Begins With a Blessing." But like much of the experimental material on his previous release, "Well" just doesn't build up to anything of substance. And the instrumental "Lullaby" (appropriately titled) closes the album on an odd note. Reminiscent of King Crimson's "Cadence and Cascade" (from In the Wake of Poseidon) and highlighted by Malherbe's fluid flute, "Lullaby" is an early example of new age ambience, complete with running brook in the background. Whatevershebringswesing falls short of the ambitious peaks found on Ayers' previous record; however, the material is much more consistent, focused, and devoid of that album's pitfalls. Ayers sounds comfortable and in his true element on Whatever, but like much of his post-'70s output, the compositions lack challenge. Whatevershebringswesing has often been cited as Ayers' magnum opus, but the term should be reserved for his follow-up, Bananamour, or even The Confessions of Dr. Dream." -David Ross Smith

Sing it from the well

Dungen - Tio Bitar (2007)

This is a psych-rock beast!!!!! "Dungen (Swedish: “the grove”, pronounced [ˈdɵŋən], or roughly “DOONG-un”) is a Swedish rock band based in Stockholm. Often classified as psychedelic rock, Dungen is also influenced by Swedish (and other) folk music, classic rock, progressive rock and indie rock."

purple drank

Guapo - Black Oni (2004)

"Guapo's music explores the outer-most regions of psychedelic composition. Flickers of Popol Vuh, This Heat, Magma, Third Ear Band, King Crimson and early 70’s Miles Davis are present as over-arching themes are morphed and mined through polyrhythmic asymmetrical structures. Dense orchestration and mercurial compositions have led them to associations with zeuhl."

bendy legs